Broadcast-Quality Production Sound Powered by High-End Professional Gear
Sound Devices 833 6 channel Mixer/recorder
Sound Devices Scorpio 32 Channel Mixer/recorder
Sound Devices 788T 8 Channel Mixer/recorder
Sound Devices MixPre 3 Channel Mixer/recorder
10 Lectrosonics wireless mics,
Letrsonics HMA plug on transmitter
wireless boom systems.
Comtek client monitors
Sennheiser IEM systems
PSC long range Antenna
System
Boom mics: Sanken CS3E, Sennheiser MKH50, Sennheiser 416, Sennheiser 8070
Lav Mics: Sanken COS11, Countryman B6
Ambient Nano-Lockit sync boxes
Ambient Digital smart slates
Sennheiser Wireless audio camera hops
I work with high-end, industry-standard sound equipment to ensure the cleanest, most reliable production audio on set. Using Sound Devices recorders, Lectrosonics wireless systems, and premium Sennheiser and Sanken microphones means fewer technical issues, greater flexibility in challenging locations, and sound that meets the expectations of top-tier film and television productions. The right equipment, combined with experience, delivers audio that sound designers, editors and post mixers demand to ease their workflow.
Proprietary aviation communication taps connect my recorder directly into the comms system within aircraft, perfect for recording scenes in helicopters or small airplanes..
I have all the necessary accessories to meet whatever your production demands. Spare cables and connectors, proprietary timecode and audio
connectors and adapters
for most cameras
in the field today
including Sony, Arri, Red,
Black Magic, Panasonic and
Canon.
Adaptable:
Flexibility
From a full-scale feature film and commercial sound cart to a lightweight, run-and-gun ENG body-mounted rig for documentary and reality television, I provide professional production sound solutions for projects of any size or budget. Whether your shoot requires fast movement between multiple locations in a single day or a fully supported setup for a major scene, I can scale my equipment and workflow to meet the demands of your production.
My professional production sound equipment has been battle-tested on demanding shoots in challenging environments worldwide, where reliability is critical. I am highly experienced in traveling internationally with sound equipment, navigating airports, airline regulations, and complex logistics, including the use of customs carnets for smooth and compliant border crossings. This global production experience ensures my sound department arrives prepared, efficient, and ready to deliver high-quality audio on location anywhere in the world.
Flying into LA from out of town for quick simple shoot and don’t have time to hit up a rental house, or don’t want to deal with excess baggage? Need an extra B-camera? While not an extensive inventory, I do have some additional camera, grip and lighting items including:
• Canon R6 Mkii Camera with Ef series lens set (16-35, 24-70, 70-200)
•2x6” Ikan SDI /HDMI monitors
•4x C Stands
• Sachtler Tripod
•DJI 1000w power bank
•4LED Ikan variable-color light kit
•Portable Green Screen
•DJI Action 6 Action-cam
•DJI Osmo Pocket3
•Glide gear iPad Teleprompter
•Various grip mounts
•Sound Blankets
Reach out to discuss licensed aerial drone services alongside on-set production sound. I own and operate a DJI Air 3S drone, with a full package of accessories allowing me to capture cinematic aerial shots that complement your project without adding another crew member. A cost effective way to add production value to your shoot.
© Martin Kittappa Production Sound 2026